How Perry Como left a Christmas song in my heart

How Perry Como left a Christmas song in my heart

It always begins with Perry Como. That’s what I tell my granddaughter, Charlotte. Until I hear a Perry Como Christmas song, I have no holiday spirit. But once “It’s Beginning to Look a Lot Like Christmas” or (“There’s No Place Like) Home for the Holidays” plays on the radio? I’m all jingle bells and holly.

And Charlotte says, “Who’s Perry Como?” And I say “Can you imagine, 60 years from now, someone asking you, “Who is Taylor Swift?”

But of course, she can’t imagine. She is only 16.

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Wonderful Memories, Just Beyond Reach

Wonderful Memories, Just Beyond Reach

If only you could wrap up a few happy moments and give them back to people when they are in need of happiness. If only you could freeze the best of times the way you freeze fresh-picked blueberries in June to savor again on a December day. We have memory, yes. But memory is a tease, a still shot, a small picture of what was, not all of what was. It’s a blueberry pie on the cover of a gourmet magazine, beautiful to look at but tormenting, too…

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Don't Let Those Books Remain Unwritten

Don't Let Those Books Remain Unwritten

I wanted to be like my grandmother. So I wrote out stories for my grandchildren, short, rhyming "Good Night" stories. Later, I decided to publish them. I would write some letters. I would make some phone calls. I would not give up. I would get this done. This is what I told myself. I wrote one letter. And got some great advice about structure and how to tell a better story. Then I went on line for the next step and learned that it can take up to five years to have a children's book published. Five years? I didn’t want to wait five years. Now it is six years later…

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In holiday rush, slow down to preserve the love

Every Wednesday night, at 11 o'clock, sometimes a little after, in a little room in a little club on Columbus Avenue in Boston, pianist Michael Kreutz plays his closing number, "What I Did for Love," a song from the hit musical "A Chorus Line."

Wednesday is show-tune night at the Napoleon Room at Club Cafe, and for three hours Kreutz sings and plays and other people get up and sing, so many faces and voices familiar, but always some new ones, too, every week different.

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In Holiday Rush, Slow Down to Preserve the Love

Every Wednesday night, at 11 o'clock, sometimes a little after, in a little room in a little club on Columbus Avenue in Boston, pianist Michael Kreutz plays his closing number, "What I Did for Love," a song from the hit musical "A Chorus Line." Wednesday is show-tune night at the Napoleon Room at Club Cafe, and for three hours…

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A Happy Obsession with Singing

My husband jokes, "The cows know the songs by now." He's referring to a scene in the movie "City Slickers" in which Billy Crystal is trying to explain the basics of VCR recording to a friend who isn't catching on. The two of them are on horseback, driving cattle, trotting along, and a rider behind them, who has been listening, shouts: "He doesn't get it! He'll never get it. It's been four hours! The cows can tape something by now."  And so it is with me and singing…

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Now, that's real entertainment!

The Boston Globe

Beverly Beckham

I took my granddaughter Lucy to Wheelock Family Theatre's production of ``Annie'' last Sunday. Forty minutes from my house, and I'd never been there before. I'd never been to Riverside Theatre Works in Hyde Park, either, which is just 15 minutes from my door, until my daughter Julie became managing director there, two years ago.

How had I overlooked these places? I used to take my children to plays on the South Shore and in Boston. Why didn't I know about these other places?

What amazed me about Wheelock's production of ``Annie'' is what always amazes me about live performances: They never go out of style. A good story is always a good story, and what worked in ancient Greece - Give `em the old, razzle dazzle - still works all these centuries later. Good acting, good singing, good dancing, and an audience is mesmerized.

Lucy is 7 and definitely a good audience. She is obsessed with ``Annie.'' She knows the words to every song. She has the CD. She's seen the movie a million times.

Still, I wondered how a simple stage ``Annie'' would compete with the loud, bold, overly dramatic, over-the-top movie version, which she loves.

It did not compete. It stood on its own. Real people on a real stage talking and laughing and singing and dancing, plus a real dog playing Sandy brought the house down.

The children in the audience, like all kids today, have access to TVs and DVD players and computers. Instant entertainment is at their fingertips. So this very old-fashioned, intermission-in-the-middle humble fare should not have wowed them.

But it did. A medium as old as knights and chariots still works its magic.

Wheelock Family Theatre and Riverside Theatre Works and the Turtle Lane Playhouse and Boston Playwrights' Theatre, all small theaters, are all celebrating their 30th seasons. This is a testament not just to entrepreneurship and ingenuity, but to the hard work of many.

It is also a tribute to the medium itself, because we can get from Netflix and On Demand almost everything that these theaters offer. We can order ``Scrooge, the Musical'' and ``Godspell'' and ``A Child's Christmas in Wales.'' Plus we can listen to any kind of music any time we want. No one needs to go out to be entertained.

But still we do. Because what we don't get from film or recorded sound is the experience of seeing and hearing something performed live.

A live performance is like an apple plucked from a tree. It can be fresh and delicious, and if you take a second apple from the same tree, it may be fresh and delicious, too. But not identical. It's not ever the same.

It can be bitter, too. Or mealy. Or wormy. No guarantees.

Movies, TV, radio, the rest of our entertainment is far more predictable. It comes packaged. It's apples cut up and processed and sealed and sold in cellophane. It's applesauce in little cups. Not bad. Sometimes good. But never unique.

It's a struggle to lure people off their couches and out of their homes when it's cold and dark. But if you're sick of Charlie Sheen, consider this: Riverside Theatre Works is presenting ``Scrooge: The Musical'' Dec. 10 to 19. ``Annie'' will be featured at Wheelock Family Theatre until Nov 21. Turtle Lane Playhouse is hosting ``Godspell'' Nov. 26 through Dec. 30. And Boston Playwrights' Theatre ``Two Wives in India'' will run until Nov 21.

Then consider this song from ``Avenue Q.''

``There is life outside your apartment.

I know it's hard to conceive.

But there's life outside your apartment.

And you're only gonna see if you leave.''

The 101 Most Influential People Who Never Lived

The 101 Most Influential People Who Never Lived

A long time ago, when my daughter was 14, she had a homework assignment: Choose six people, dead or alive, real or fictional, with whom you would want to be stuck on a deserted island.I assumed I'd be one of them. Her brother was, and her godfather, and Mary Poppins and Matafu, a resourceful young boy in a book she was reading, and Doogie Howser, a TV doctor.

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WHERE IS THE LOVE IN THE AIRWAVES?

WHERE IS THE LOVE IN THE AIRWAVES?

I wonder if the old songs were true. If "It Had to Be You" and "You'd Be So Nice to Come Home to" came straight from the heart. Or were they just sentimentally tweaked to sell? Was love 60 and 70 years ago as tender and innocent as the music made it seem? Or were all the songs “I'm wild again, beguiled again, a simpering, whimpering child again” a lie, truth sacrificed for meter and rhyme?

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Sox should remember Sherm

Sox should remember Sherm

It's a personal thing with Gary Titus. He'll tell you this. Sherm Feller was his friend. How good a friend? Titus and his wife, Sarah, named their son Louis "Sherman" Titus "to keep Sherm in our memory always." Last spring when Titus logged on to the Boston Red Sox Web site and was greeted by his friend's familiar voice, "Ladies and gentlemen - boys and girls," he was thrilled. The voice belonged on the site. Sherm Feller was and always will be the voice of Fenway Park.

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Working class works harder to pay more for entertainment

Working class works harder to pay more for entertainment

In the words of my good friend Anne King, who owns a hair salon, not a baseball team: "It boggles the mind." Derek Jeter, the 25-year-old Yankee shortstop is about to sign a seven-year $ 118.5 million contract and one can only wonder, has this country gone mad? Money doesn't fall from the sky nor does George Steinbrenner have a printing press in his office cranking out whatever he needs to keep his players happy. There's only so much hard cash in this world and when ballplayers get fat, other people - people with real jobs - get taken.

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When music makes magic

When music makes magic

He takes you back to a night you thought you'd forgotten, when there was laughter and champagne and glasses clinking and young people laughing, and you were one of the young people, dressed to kill, out for an evening, out on the town.

He whisks you to Broadway, and ushers you to a front-row seat where you heard, maybe for the first time, Judy Garland, John Raitt, Mary Martin.

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New Year's quiz sets guests' memories spinning in reverse

It was a party game, that's all it was. New Year's Eve, 1994. Our hostess passed out sheets of paper with 10 questions on them. She separated husbands and wives and created new pairs. Let's see how much you remember from 1994, she said. Piece of cake, we all thought. We were a group who knew our news. Lawyers, bankers, teachers, librarians, we devoured newspapers. We watched news shows. We subscribed to Newsweek or Time. Hit us with your toughest question, we thought. We were ready…

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Just another day in TV `news'

Just what we need. This one is called "Now" and airs Wednesday nights. First there was "60 Minutes" Now there are 60 clones.

What's the purpose of all this purported news?

The premiere of "Now" featured an interview with Bette Midler and a report on the case against the Idaho white supremacist, Randy Weaver. No points here for originality - or depth.

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The Waltons may be fictional, but loyal fans don't think so

The Waltons may be fictional, but loyal fans don't think so

Fact and fiction. They blend. A person steps into the sun at high noon and he and his shadow are one. Both exist. Both are seperate entities, but for a moment they merge.

Schuyler, population 400, is fact. It's a tiny town nestled among the mountains in Nelson County, Virginia. Walton's Mountain is but a shadow of Schuyler, a creation of its most famous son, novelist and screen writer Earl Hamner.

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Cable offers new adventures in slime

The station is WWOR, Channel 9, from New York, now delivered to us through our cable system.

It's not an x-rated station. We don't subscribe to it. It comes free with our basic package, and like most every other TV station, it's packed full of news and talk shows and re-runs.

Last Thursday at 7 a.m. the station showed "James Bond Jr.," followed by "Widget," "Head of the Class," "It's a Living," "Jenny Jones" and "Nine Broadcast Live."

Nine Broadcast Live is the subject of this column.

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Michael Jackson let himself be used

There's a lot that's weird about Michael Jackson. But he's been endearingly weird. In 1978, when he made his film debut as the Scarecrow in "The Wiz," he actually had to be coaxed into removing his costume and makeup every day. He has always loved fantasy, has always preferred being someone else to being himself. He admits that he talks to mannequins and that in his mansion, they have their own room.

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